"A lot of artists are figuring out how to make fucking money. I’m not
saying that’s what these cats are doing – Lethem’s been in the game from
the beginning. He started out as a hardcore genre writer and became a
literary writer. But ultimately, I think it’s a matter of privilege. Literary writers can attack new markets without ever losing their cachet as literary writers. I don’t think that tide has raised the boats of genre writers. A literary writer who writes a sci-fi novel will get a fucking Guggenheim. A genre writer who is classically genre, writing a genre book, will not get a fucking Guggenheim
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I’m less interested in a kind of artistic zeitgeist as much as I am in IPE, international political economy. If there were no money to be made from genre, would anyone be doing this? Part of my interest in doing a genre book was actually to put that question front and center. Because the funny thing about being a person of color is you’re already being considered a fucking genre, you know? Or better yet, you’re already being considered science fiction."
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I’m less interested in a kind of artistic zeitgeist as much as I am in IPE, international political economy. If there were no money to be made from genre, would anyone be doing this? Part of my interest in doing a genre book was actually to put that question front and center. Because the funny thing about being a person of color is you’re already being considered a fucking genre, you know? Or better yet, you’re already being considered science fiction."
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