Literature is always about bygone times. It’s
always looking back in time with a certain perspective. I look at bygone
life which no longer exists and, as I said, I look at it without
nostalgia but without anger either. I look at it with criticism and with
compassion. I look at it with curiosity. I look at it with fascination,
and I look at it with a certain smile.
# #
Language is my craft, language is my musical instrument. I treat the language the way the violinist treats the violin, and for me the most important thing in my writing and in my teaching is precision
# #
I never regarded myself as a prophet; I can’t read the future and I don’t have any particular wisdom which other people don’t have. I have imagination and I use it in my political thinking. I ask myself, from time to time, how would I feel if I were a Palestinian under Israeli occupation. I ask myself, from time to time, how would I feel if I were an Orthodox Jew. I ask myself, from time to time, how would I feel if I were an Oriental Sepharadi Jew in a developing town and I use my imagination in my political manifestations. But no, I never regarded myself as a prophet.
via
# #
Language is my craft, language is my musical instrument. I treat the language the way the violinist treats the violin, and for me the most important thing in my writing and in my teaching is precision
# #
I never regarded myself as a prophet; I can’t read the future and I don’t have any particular wisdom which other people don’t have. I have imagination and I use it in my political thinking. I ask myself, from time to time, how would I feel if I were a Palestinian under Israeli occupation. I ask myself, from time to time, how would I feel if I were an Orthodox Jew. I ask myself, from time to time, how would I feel if I were an Oriental Sepharadi Jew in a developing town and I use my imagination in my political manifestations. But no, I never regarded myself as a prophet.
via
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