Whenever I write a novel I’m reminded of the essential hubris of 
criticism. When I write criticism I’m in such a protected position: here
 are my arguments, here are my blessed opinions, here is my textual 
evidence, here my rhetorical flourish. One feels very pleased Whenever I write a novel I’m reminded of the essential hubris of criticism.
 with oneself. Fiction has none of these defences. You are just a fool 
with a keyboard. It’s much harder. More frightening. At the same time, I
 work really hard on my novels, so when I return to reviewing I expect 
the novels I read to really have something going on. Not perfection, 
because I know that’s impossible and not really even desirable – but 
some kind of genuine urgency. Some risk has to have been taken. 
Something in the book has to be genuinely fresh: perspective, language, form, ideas, something.
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