Most great prose writers make the real world seem realer — it’s why we read great prose writers. But Wallace does something weirder, something more astounding: Even when you’re not reading him, he trains you to study the real world through the lens of his prose. Several writers’ names have become adjectivized — Kafkaesque, Orwellian, Dickensian — but these are designators of mood, of situation, of civic decay. The Wallaceian is not a description of something external; it describes something that happens ecstatically within, a state of apprehension (in both senses) and understanding. He didn’t name a condition, in other words. He created one.
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