I want people who can make magic. That’s what the job at hand is. To take the elements of the language, to take these tarnished and exhausted entities, and to cause them to move in a way they’ve never moved otherwise. To imbue them with movement through the particular imposition of one’s will, one’s desire.
To say, ‘Can I make it do that? Can I make it do that?’ When I’m reading, I want to be swept away; I want to feel that I have seen what I would otherwise never have seen. I want to be made to say, ‘I must change my life’. The New Yorker recently ran a really vicious piece about my classes, distorting my idea of ‘seduction’. Needless to say, I wasn’t talking about sex. What I meant was that art should lead people away from being-in-the-world by conventional means.
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To say, ‘Can I make it do that? Can I make it do that?’ When I’m reading, I want to be swept away; I want to feel that I have seen what I would otherwise never have seen. I want to be made to say, ‘I must change my life’. The New Yorker recently ran a really vicious piece about my classes, distorting my idea of ‘seduction’. Needless to say, I wasn’t talking about sex. What I meant was that art should lead people away from being-in-the-world by conventional means.
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