So, who is a real writer, and what is real writing?
Saturday, March 28, 2015
Tom McCarthy on Hergé’s Tintin books
I’ve probably learnt more from them about narrative technique (doubling, splitting, leading false trails etc.) than from any other writer. He was a genius: There’s an incredibly sophisticated set of concerns and subtexts being played out in those books: family secrets passing down generations, anxieties about inheritance and illegitimacy, musings on counterfeit and inauthenticity (be it in the field of currency or blood or art), on technology and politics – the whole 20th century is there. And – best of all – a seven-year-old can read them with as much passion as a 45-year-old.