Adam Kirsch has an interesting article on Philip Roth, the great American novelist, in The Republic.
A writer who, in the first
part of his career, seemed defined by transgression—against Jewish self-esteem,
against sexual decency, against the conventions of fiction—has been
transformed, over the last fifteen years, into an official American classic. The
fate that Zuckerman mocked has befallen his creator: Roth, the rebellious son,
the fleshliest of writers, is turning into a monument before our eyes.
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