Tuesday, November 26, 2013
Sunday, November 24, 2013
Thursday, November 21, 2013
So why is dystopian fiction so fascinating?
"...it’s entirely possible that dystopian fiction reflect the fears of
the times—and given today’s world of state-sponsored surveillance,
religious fundamentalism, economic disparity, and overpopulation (I’m
just flicking through the headlines, here), perhaps it’s not surprising
this was a popular theme.
So in some ways, dystopias aren’t too much of an imaginative stretch. If you’re trying to predict the future, your best bet would have to be on things going wrong. You could even argue we’re living in a dystopia right now. Maybe we’re always living in a dystopia, or at least degrees of dystopia—the failure of a past’s promising, even utopian, vision—which is why they seem endlessly relevant, in all their scope and variety. We’re simply steeling ourselves for the shape of things to come."
Read Litro#130: Dystopia.
So in some ways, dystopias aren’t too much of an imaginative stretch. If you’re trying to predict the future, your best bet would have to be on things going wrong. You could even argue we’re living in a dystopia right now. Maybe we’re always living in a dystopia, or at least degrees of dystopia—the failure of a past’s promising, even utopian, vision—which is why they seem endlessly relevant, in all their scope and variety. We’re simply steeling ourselves for the shape of things to come."
Read Litro#130: Dystopia.
Wednesday, November 20, 2013
Monday, November 18, 2013
Doris Lessing passes away at 94
Doris Lessing, the 2007
Nobel Laureate, passed away on Sunday at her home in London at the age of 94.
“the epicist of the female experience, who with skepticism, fire and visionary power has subjected a divided civilization to scrutiny.”
“the epicist of the female experience, who with skepticism, fire and visionary power has subjected a divided civilization to scrutiny.”
Friday, November 15, 2013
Gerald Murnane interview
When you start to put down words your own personality becomes fractured.
You’re never quite sure what part of you the words are coming from.
It’s a fairly trite statement, but you begin to question the reliability
of memory or even experience itself. What emerges from the writing is
something that could never have been predicted. This is the magic, that
writing is unpredictable. It leads to discovery, and that is a word that
is overused and has a sort of twee sound, and it’s not a word I feel
comfortable with. But you learn from writing things you couldn’t possibly learn by any other means.
Wednesday, November 13, 2013
NSA Surveillance drives US Writers to self-censor: PEN Survey
Freedom of expression is under threat and, as a result, freedom of information is imperiled as well. Fully 85% of writers responding to PEN’s survey are worried about government surveillance of Americans, and 73% of writers have never been as worried about privacy rights and freedom of the press as they are today. PEN has long argued that surveillance poses risks to creativity and free expression. The results of this survey—the beginning of a broader investigation into the harms of surveillance—substantiate PEN’s concerns: writers are not only overwhelmingly worried about government surveillance, but are engaging in self-censorship as a result.
Monday, November 11, 2013
Sunday, November 10, 2013
The Hindu Prize for Best Fiction 2013 shortlist
The Illicit Happiness of Other People — Manu Joseph
Foreign — Sonora Jha
Roll of Honour — Amandeep Sandhu
Vanity Bagh — Anees Salim
Another Man's Wife and Other Stories — Manjul Bajaj
Saturday, November 9, 2013
Friday, November 8, 2013
Mircea Cărtărescu interview
I think that every writer should do something completely out of the box
in his or her life. I wanted to write a very big book—over one thousand
pages—but I didn’t know what shape it would take. I just felt it was
time for me to write such a book. When I started to write I had nothing
in my mind except the word orbitor, which in English means ‘blinding.’ Orbitor
is a special word in Romanian, it signifies both a dazzling light and a
mystical light, and I wanted to do something mystical, something
without any similarity to any other book in the world. At the same time,
orbitor is a very beautiful word, it is a sort of palindrome, a
round word, like a serpent biting its tale. Anyway, I started to write
by hand in notebooks. I knew nothing about this book—I had no plot, no
characters, no ideas. I just used my childhood memories. I went on inventing freely like this until the middle of the book. I never rewrote anything. What you see before you is the first draft. I regret now that I didn’t bring the manuscript with me to show people. It’s hard to believe. But it’s just how I work. I don’t research and I don’t rewrite anything.
Thursday, November 7, 2013
Tuesday, November 5, 2013
Fiction and non-fiction
I tend not to differentiate between fiction and
nonfiction. It's one of my bugaboos. Nearly everything we do is imagined
anyway. Memory is a sort of imagination.
-- Colum McCann
-- Colum McCann
Sunday, November 3, 2013
Mia Couto wins The "American Nobel Prize"
António Emílio Leite Couto (Mia Couto) has just been announced as the
2014 Neustadt Prize Laureate. He is the first writer from Mozambique ever to be nominated or awarded the $50,000 prize.
Congrats, Couto!
"I find myself constantly inventing different reasons for my activity as a writer. Perhaps there is no real explanation because writing escapes that rationality. I think I need to feel that I am part of something that can't be contained in what we normally call reality. I write to escape from this invisible form of slavery, this submission to what we call reason and reality."
Congrats, Couto!
"I find myself constantly inventing different reasons for my activity as a writer. Perhaps there is no real explanation because writing escapes that rationality. I think I need to feel that I am part of something that can't be contained in what we normally call reality. I write to escape from this invisible form of slavery, this submission to what we call reason and reality."
Hasan Azizul Haque interview
"I’ve said it many times that at least six or seven of those who have
contributed to what is Bangla literature today are worthy of winning the
Nobel prize in literature. And if you take the entire Bangla as a
whole, the east as well as the west, then another six or seven should
be added to the list. It is our misfortune that Manik Bandyopadhyay,
Bibhutibhushan Bandyopadhyay, Tarashankar Bandyopadhyay were not awarded
this prize. Lack of good translation is the reason behind this."
"Nobody is interested in translating Bangla literature. Only half of Pother Panchali was translated, then no one simply cared to do so. Putul Nacher Itikotha was also translated but it too failed to attract any attention from the outside world. To speak to you frankly, I myself haven’t seen it. I firmly believe that it is essential for our literature to be recognized worldwide because it has all the potentials that a national literature should have. I also believe that Bangla is not only one of the main languages of the world, it is also one of the best. But, unfortunately, since we could not establish colonies all over the world to make people from other countries dependent on us, nobody cares about our literature"
"Nobody is interested in translating Bangla literature. Only half of Pother Panchali was translated, then no one simply cared to do so. Putul Nacher Itikotha was also translated but it too failed to attract any attention from the outside world. To speak to you frankly, I myself haven’t seen it. I firmly believe that it is essential for our literature to be recognized worldwide because it has all the potentials that a national literature should have. I also believe that Bangla is not only one of the main languages of the world, it is also one of the best. But, unfortunately, since we could not establish colonies all over the world to make people from other countries dependent on us, nobody cares about our literature"
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