His premature death also may have had something to do with the excitement around his work, but not that much. He’s a writer who invented a commanding, distinctive style, in the largest sense of the word—a way of organizing experience as well as words—which is a pretty rare achievement. That spoke to many readers, for a number of reasons—I’ve heard, for example, that he is an antidote to the North American model of the professional novelist groomed by creative writing schools. There might be something symptomatic about his success, but I think that the main reason for it is that he is a fascinating singularity.
Friday, June 15, 2012
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