I began thinking of this novel in the mid-1990s, when I said to myself, I'll buy a house and imagine a family living there and then chronicle their stories, their daily lives from the kitchen to the street, what they do or say and how they live. So I thought I would collect the objects of their ordinary lives and weave these into my story — place them in the hands of the family. I wrote the novel as I bought the objects and I also wanted to write about the making of the museum as part of the novel. I don't know why I did this. But as always, a djinn entered me and I followed my inner footsteps.”
Sunday, April 29, 2012
How to write a novel like Orhan Pamuk
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