I'm publishing a whole novel on Medium in installments. It's a novel about publishing of a novel. Obviously, the idea hit me in the wake of my first novel being accepted by a great publisher. Shit, I forgot to write about it here in my blog, a serious lapse on my side, but that's me, my habit of keeping dumb when I should be actually shouting out. Yesterday I wrote my fifth installment. And now I feel a bit exhausted. I'm a minimalist by nature, but these past few days I've knocked out 800 or so words regularly. This naturally takes its toll on my body and mind. I want to take a deep breath now. I need to take a second wind. The following is a list of chapters arranged sequentially in case you've not read it or just want to take a look. Publishing of a novel
(How I got my book deal for my novel which I wrote back in 2000) Serendipity and After/2 (An editor's dilemma) Serendipity and After/3 (Editor-publisher face-off)
As a writer, I'm curious what the readers think about this novel and how their reading experience is. So, please come in with your feedback. I will appreciate them. Thanking you.
If you want to write an excellent sex scene, you have to liberate it from the idea of a sex scene. Like I was saying before about violence, you have to thread sexuality through every part of a character or a person's life, rather than limiting it to a titillating few pages where something juicy happens. You have to understand that sexuality is omnipresent in your body — your entire life.
Yesterday I posted a critique of a short fiction by Oliver Shiny on Medium. Please do read it if you have time, and weigh in with your comments on my critique.
I’ve always – always – thought of myself as a fiction writer with comic inclinations. I’m a fiction writer. I use any- and everything I need to get certain effects that I’d describe as ‘emotional effects’ – to do the good old aesthetic work that stories do. do whatever it takes. Steer toward the energy. Don’t worry about being edgy or not being edgy or being soppy – if the emotion of the story is real and earned, it sort of retroactively justifies whatever form you’ve used. What’s going to make my work vital and new is my taste, applied maniacally, over sufficient time. I really want to play, and discover the internal dynamics of the story – find out, via intuition, what thrills the story wants to deliver.
Mahasweta Devi, the Bengali writer who was the "Mother Courage" of Bengal and devi of the marginalized and the dispossessed, died yesterday at 91 leaving a legacy no one can match.
"Even though we should always strive to renew the language, that renewal can and should use words from other times and from other spaces to better express this new version of human events. Literature has to dig into uncomfortable vocabularies to find new ways of expression." --Yuri Herrera
"Where is Norman Mailer? Who reads Norman Mailer? Who thinks about Norman Mailer? People who have been celebrity writers, they become societal documents of their era. In that way Kerouac, Mailer, Ginsberg —"
"I swore never to be silent whenever and wherever human beings endure suffering and humiliation. We must always take sides. Neutrality helps the oppressor, never the victim. Silence encourages the tormentor, never the tormented." (The Nobel Peace Prize speech, 1986)
"..can we see any inkling of a presumptive heir to Bellow or Updike orNabokov, or to so many others of the previous generation (the list would be long and impressive) who have left a formative mark on American experience?