In our times of market economy, pulp fiction has won over literary fiction in Russia, quite simply pushing it to the margins. If Tolstoy and Dostoyevsky tried offering their novels to commercial publishers today, they would have a hard time getting them published—they’d probably be rejected on grounds that their novels are too long and dense, too verbose, slow-moving, and serious. Many writers of literary fiction are heading for the middle market, turning out novels by numbers. In the early 1990s, they were still embarrassed to write under their own names and used pseudonyms. But now it’s even become fashionable among the intellectual elite to acknowledge pop culture and work within popular genres.
Wednesday, February 5, 2014
Sunday, February 2, 2014
"My novels are deeply rooted in the spirit of my hometown Mecca, an unexplored world. I draw upon the city's myths, history and philosophy, and all that in a language that has to be deciphered like Sufi texts. It's almost impossible to translate. So I need an adventurous publisher and a very knowledgeable translator who can make my worlds and my style accessible to a German-speaking audience."
Bengali literature "2666" 1Q84 'A' literature Alice Munro Arundhati Roy interview $665000 advance 10 forbidden classics 2010 Nobel Prize winner in literature A Suitable Boy A.S.Byatt Aagunpakhi Aamer Hussein Adam Bodor interview Alasdair Gray interview Ali Sethi Amitav Ghosh interview Anne Enright on Failure Arundhati Roy on fiction Bolano's last interview Carlos Fuentes dies Chinua Achebe interview Cormac McCarthy Dave Eggers on publishing Deborah Levy on writing and reading Dumitru Tsepeneag Eleanor Catton wins the Man Booker Prize 2013 Franz Kafka's dog story George Saunders and his editor Gunter Grass's 1990 diary an unremarkable man