Writing a good sentence is having to hit the bull’s-eye each and every 
time. A sentence has to serve so many purposes. It has to provide 
forward momentum. It has to tell us what we need to know. It has to 
suggest character. It has to stand at a correct distance from the 
characters in order to let the reader know the authorial attitude. It 
has to have within it a kind of kinetic energy that reflects the book’s 
or a character’s tone. Its construction has to illuminate the larger 
preoccupations of the book. It has to be disciplined and cannot be 
beautiful for the sake of beauty. The rhythmic interplay between 
sentences determines length and sound, smoothness versus percussiveness,
 which words end one sentence and which begin the next.
--
Marisa Silver. 
I like fiction by writers engaged in trying to make sense of their lives
 and of the world in which they find themselves, writers who palpably 
have skin in the game, and this makes me particularly resistant to 
historical fiction.
--
Jonathon Franzen