Writing a good sentence is having to hit the bull’s-eye each and every
time. A sentence has to serve so many purposes. It has to provide
forward momentum. It has to tell us what we need to know. It has to
suggest character. It has to stand at a correct distance from the
characters in order to let the reader know the authorial attitude. It
has to have within it a kind of kinetic energy that reflects the book’s
or a character’s tone. Its construction has to illuminate the larger
preoccupations of the book. It has to be disciplined and cannot be
beautiful for the sake of beauty. The rhythmic interplay between
sentences determines length and sound, smoothness versus percussiveness,
which words end one sentence and which begin the next.
--
Marisa Silver.
I like fiction by writers engaged in trying to make sense of their lives
and of the world in which they find themselves, writers who palpably
have skin in the game, and this makes me particularly resistant to
historical fiction.
--
Jonathon Franzen